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“Perhaps not,” answered Nell, “I can see there are wonderful possibilities in this vast country. Some day this prairie will be dotted here and there with prosperous towns. But don’t let us be serious. Here’s a grand place for a race. I know ‘Ladybird’ can beat ‘The Kid.’” “But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.” “Good hearts need no fairy wings,” Mrs. Bennett replied to Billy while she smiled at the little girl. “Jean told her mother about our May Nell, and Mrs. Hammond came over with a generous lot of outgrown things.”.

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CHAPTER I.—MRS. WOPP’S HOSPITALITY. As that energetic lady bustled about the kitchen the same evening setting the bread, her voice rose in a series of trills and other embellishments as she sang “Where is my wanderin’ boy to-night?” The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up. She emerged from the house her hair coiled on the top of her head and decorated with a strip of shining silver from an empty biscuit tin. Thus had she seen a circus lady dressed on one never-to-be-forgotten day. Around her small body was draped a yellow silk shawl of Mrs. Wopps. Her feet were encased in a pair of Ebenezer Wopp’s reddest socks, bound on by bright green ribbon ripped from her winter hat. From her fair hair floated a white aigret made of chicken feathers hastily wired together. Moses needed no aigret as a strand of red hair stood upright from the crown of his head..